From one of contemporary literature’s bestselling, critically acclaimed, and beloved authors: a “luminous” novel (Jennifer Egan, The New York Times Book Review) about a fiercely compelling young widow navigating grief, fear, and longing, and finding her own voice—“heartrendingly transcendant” (The New York Times, Janet Maslin).
Set in Wexford, Ireland, Colm Tóibín’s magnificent seventh novel introduces the formidable, memorable, and deeply moving Nora Webster. Widowed at forty, with four children and not enough money, Nora has lost the love of her life, Maurice, the man who rescued her from the stifling world to which she was born. And now she fears she may be sucked back into it. Wounded, selfish, strong-willed, clinging to secrecy in a tiny community where everyone knows your business, Nora is drowning in her own sorrow and blind to the suffering of her young sons, who have lost their father. Yet she has moments of stunning insight and empathy, and when she begins to sing again, after decades, she finds solace, engagement, a haven—herself.
Nora Webster “may actually be a perfect work of fiction” (Los Angeles Times), by a “beautiful and daring” writer (The New York Times Book Review) at the zenith of his career, able to “sneak up on readers and capture their imaginations” (USA TODAY). “Miraculous...Tóibín portrays Nora with tremendous sympathy and understanding” (Ron Charles, The Washington Post).
An Amazon Best Book of the Month, October 2014: Atmospheric and emotional, Colm Toibin’s (Brooklyn, The Master) seventh novel is the story of a forty-year-old widow in 1960s/70s rural Ireland who’s on the verge of slipping back into the isolated life from which her husband had rescued her. Nora Webster is, like Toibin’s best characters, iconoclastic, strong and deep. When she loses her beloved Maurice to a long and horrible illness, she seems beyond help: she resents the neighbors’ well-meaning questions and concerns and she’s so grief stricken she barely notices how her children are suffering. Nora is not entirely likable—a self-centered person mired in depression rarely is. But Nora is also proud, fierce and angry—and slowly, slowly she wins you over. Even more important, she eventually finds a way to save herself. This is not a novel that makes a lot of noise—and yet it’s musical. It has a kind of deliberate, note-by-note crescendo—but very few crashing cymbals—as Nora rediscovers her love of singing, learns how art can help her navigate through grief, and how music can help even the most quiet among us to regain our voice. – Sara Nelson
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